Hey Cat !

Hey Cat !

Tuesday, 6 October 2026

Excello Records

 


Al Ferrier - Excello Records # 2105 - March 1957.

Side A - I'm The Man

Side B - Hey! Baby

Side A - I'm The Man

Side B - Hey! Baby

Quite simply, this is X rated rockabilly, adult material, top shelf bop!

The A side is a great Johnny Cash type thang and it works, it's cool as an ice box and sharp as a razor but then you flip it! and boom! you get 'Hey Baby' aka 'Let's Go Bopping Tonight' and you are in the outer stratosphere and still climbing, just an unbelievable slice of 1957 rockabilly, I have the 45 as well and these are worth every penny if you find em', just the greatest! 

Al Ferrier, Sr. (born August 19, 1935 in Olla, Louisiana; died January 6, 2015 in Natchitoches, Louisiana) was an American Rockabilly, country and gospel singer and guitarist, hailed as "King of Louisiana Rockabilly". 

Al Ferreir - Vocals/Guitar

Brian Ferrier - Guitar

Katie Webster - Piano 

Warren Storm - Percussion

Disappointed by Shuler's lack of promotion on Goldband, Ferrier jumped at the chance to record for J.D. (Jay) Miller, at his better equipped studio in Crowley. "Let's Go Boppin' Tonight" was rerecorded in a more polished version, which came out on Excello 2105 in early 1957 under the title "Hey Baby". Some of the lyrics had been changed and Miller's name replaced Shuler's as the co-writer (with Al). By this time Warren Ferrier had left the band to follow religious pursuits, but Brian and Al both play guitar on the Excello single, together with Miller's usual studio crew, including Katie Webster on piano and Warren Storm on percussion. The flip of "Hey Baby", "I'm the Man" displayed an obvious Johnny Cash influence. Ferrier stayed with Jay Miller for the remainder of the 1950s, with further recordings being released on Miller's own labels (Rocko, Zynn), in a more main- stream rock n roll style.





Thursday, 20 August 2026

West Coast Records

 West Coast Records - Four Star Custom


Tommy Kizziah and his West Coast Ramblers

West Coast Records - OP-115 - 1951

Side A - Too Much Light In My Eyes

Side B - Long Tom Boogie

Now here is a mighty fine a pretty rare Four Star Custom record OP (Other People) 115 by the tip top Tommy Kizziah and his West Coast Ramblers. Tommy and the Ramblers did go on to see a release of the B side on Four Star proper so must have sold pretty well in the region.

A side just does what it does, just a decent country duet by Buddy & Evelyn (band members?) but it's the flip that takes you to guitar boogie land and back again! just amazing country boogie and boy does it move! 







Tuesday, 14 July 2026

VIK Records

 VIK records.


Joe Clay - Vik Records - X-0211 - May 1956

Side A - Duck Tail

Side B - Sixteen Chicks

Joe Clay (Claiborne Joseph Cheramie) passed away on the 26th Sept 2016 but he left us some of the greatest rockabilly records ever made. This one on Vik is a twin sided monster that really doesn't need any introduction by me! 

A very rare record on 78rpm and was pressed in limited amounts unlike the 45 rpm which was pressed in much greater numbers and vinyl version is still pretty easy to find today.

On these tunes you'll hear Hal Harris on lead guitar and Link Davis on rhythm guitar and along with the fantastic rockin' vocals by Joe. In one word, this record is 'Perfection' 





Tuesday, 21 October 2025

4 Star Records

 4 Star Records 


R.D. Hendon and his Western Jamboree Cowboys

4 Star Records # 1595 - Jan 1952

A Side - I Still Want You

B Side - Music Making Mama From Memphis

Vocals by Eddie on both sides and both are mighty fine slices of country bop! plenty of fiddle and steel guitar make the A side a wonderful listenable experience 

But when you flip it over, wow, it's a real bopper, up tempo and moves along at a real pace with fantastic lead guitar and fiddle and a great slap bass solo as well, you get the lot here, this is what was happening in country music in 1952 and thankfully it was captured onto shellac by 4 star.

I don't usually buy too many country records on Four Star but I made an exception with this one and boy, I'm glad I did!






Shamrock Records

 SHAMROCK RECORDS


R.D. Hendon's Western Jamboree Cowboys 

Shamrock Records # X13 - 1952

Side A - Blues Boogie

Side B - Hit And Run Driver

Mr Hendon with his jamboree cowboys really were hot stuff around the early 50's and these recordings on Shamrock (Houston, Texas) really do show how good they were, utter brilliance really.

'Blues Boogie' is quite simply breathtaking, brilliant boogie lead guitar with sublime Steel makes this recording from 1952 so amazing, you even get an upright bass solo! magical stuff.





Clifton Records

 Clifton Records 

Cowboy Jack and the Three J's - Clifton Records # 6101 - Year ?
Side 1A - Trust Me Darling
Side 2 A - Rover Is My Name

This was the 2nd of 3 records released by Clifton but despite research I have no real clue who Cowboy Jack was! Was he Cowboy Jack Patton ? , I'm not sure!
Both sides are really good rural country, 'Trust Me Darling' is sung with great gusto by Jack and the simple accompaniment matches Jack's delivery , I can only hear maybe 2 guitars and the vocal and this makes it simple and charming.
'Rover Is My name' is a tad slower than the A side and again a very simple arrangement makes this another slice of rural country, pure country and nothing more, excellent!  






Friday, 29 August 2025

Pier-Wats Records

F. Eddy Pierce with String Band -Pier-Wats Records # 1300 - 1956

Side A - Hold Back Tomorrow 

Side B - Your Kisses Don't Thrill Me Anymore

Here we have a RITE custom press from 1956 with both sides written by Eddy & James Watson and released as a custom pressing using their own label (Pier(ce) - Wats(on).

These are both great country tunes, not Rockabilly as you may expect from 1956, Eddy was still holding the country flame high & proud. 'Hold Back Tomorrow' is really nice little country shuffle weepie and has some lovely steel & fiddle and Eddy's voice is just great.

Flip it over and BOOM! we get some real quick moving hillbilly with fiddle, steel and all that magic stuff you would expect from a quality recording by some fine musicians. 

The 45 on Pier-Wats seems to be, out and around and quite easy to track down but this 78 version seems to be a bit of a mystery and pretty rare.