Sarg Record # 103 - 1954
You Ain't Foolin' Me / I suppose .
After two first records (Neal Merritt) not selling, Fitch was hungry for a success. He found it with Herby Shozel’s « I Suppose/You Ain’t Foolin’ Me » Born Herby Schoelzel in Fentress, Texas, in 1928, he was immersed in music. His family moved in San Antonio in 1941, and by 1945, he had his own band and a local radio show. Unfortunately Shozel was drafted from October 1950 for two long years. The band had lead guitar, piano and bass, along with an ex-Bill Mack fiddler. The Longhorn Playboys’ sound was far more Country than their contemporaries of the area: it was achingly pure sound, strongly influenced by Hank Williams. Shozel’s voice could be lithe on love ballads yet sly and sarcastic on tell-offs.
Charles Fitch saw them playing at the Barn, a local club and offered them a contract. They would record at ACA in Houston in March 1954. « I suppose » was a local hit. They had a second session backing Neal Merritt, then in August cut four original songs, the best being « You’re Gonna Pay », released a year later. Neither of them sold enough though, and after misgivings with Fitch, they parted. The band never recorded again.
Charles Fitch saw them playing at the Barn, a local club and offered them a contract. They would record at ACA in Houston in March 1954. « I suppose » was a local hit. They had a second session backing Neal Merritt, then in August cut four original songs, the best being « You’re Gonna Pay », released a year later. Neither of them sold enough though, and after misgivings with Fitch, they parted. The band never recorded again.
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Neal Merritt .
Sarg Records # 104 - April 1954
I Got Fooled / Korean Love Song
Sarg Records # 104 - April 1954
I Got Fooled / Korean Love Song
During his short life, Merritt was at one time disc-jockey at day, and singer in clubs at night, a common practice in the ’40s and ’50s. Few remember his fast-talking in San Antonio KONO or KMAC in the early ’60s. Even one of his closest friends told he was « possibly the loneliest man » he’d ever known. Born Carol Merritt in 1930, he changed later for a more ‘masculine’ name; he learned how to play piano and guitar, but was passionate for singing and song-writing. By 1949 he formed his first band, the Bandera Ranch Hands and toured the area. After a stint in Korea, he was back with « Korean Love Song » – both Capitol and Mercury rejected the song, so Charlie Fitch began his label with the tune, in late December 1953. Merritt recorded 3 other songs, later published in April 1954 (700 78s and 100 red wax 45s), but, by the the end of the year, Fitch had only sold 80.
Neal Merritt recorded once more for Sarg in 1955, alas, again without more success, and by the end of the year Fitch resolved his contract. He would then go to Starday (# 237, 260 and 281), and much, much later, in 1965, had a #1 in the hands of Little Jimmy Dickens with « May The Bird Of Paradise Fly Up Your Nose ». A Capitol contract followed, which went nowhere, and Merritt was back to Texas, less and less disc-jockeying, more and more drinking. He was found dead (cirrhosis and heart failure) in a Gatesville, Texas motel, in April 1975.
Neal Merritt recorded once more for Sarg in 1955, alas, again without more success, and by the end of the year Fitch resolved his contract. He would then go to Starday (# 237, 260 and 281), and much, much later, in 1965, had a #1 in the hands of Little Jimmy Dickens with « May The Bird Of Paradise Fly Up Your Nose ». A Capitol contract followed, which went nowhere, and Merritt was back to Texas, less and less disc-jockeying, more and more drinking. He was found dead (cirrhosis and heart failure) in a Gatesville, Texas motel, in April 1975.
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| Henry Bennetsen (2nd from right) |
Henry Bennetsen & The Southernaires.
Sarg Record # 105 - 1954.
Side A - What's The Matter With You.
Side B - Six More Days.
Henry Bennetssen was for all intents and purposes a great fiddle player with a half decent voice . He was part of The Southernaires band and also palyed on the next Sarg release # 106 backing Arnold Parker .
The A side is a pretty decent lil' country tune but the real gold lies within the flip 'Six More Days' which starts off with Henry's fine fiddle, some fine steel and punchy rhythm guitar and drums makes for a mighty fine record and Henry's voice is just right and he holds it all together very well.
Sarg Record # 105 - 1954.
Side A - What's The Matter With You.
Side B - Six More Days.
Henry Bennetssen was for all intents and purposes a great fiddle player with a half decent voice . He was part of The Southernaires band and also palyed on the next Sarg release # 106 backing Arnold Parker .
The A side is a pretty decent lil' country tune but the real gold lies within the flip 'Six More Days' which starts off with Henry's fine fiddle, some fine steel and punchy rhythm guitar and drums makes for a mighty fine record and Henry's voice is just right and he holds it all together very well.
Recorded May 2nd 1954 - ACA Sound and Film Studios, Houston, Texas.
Sound Engineer - Bill Holford.
Henry Bennetsen - Vocals/ Fiddle.
A.L 'Curley' Williams - Rhythm Guitar.
Homer Bade - Steel.
Pop Rose - Bass.
Benny Lange - Drums.
Sound Engineer - Bill Holford.
Henry Bennetsen - Vocals/ Fiddle.
A.L 'Curley' Williams - Rhythm Guitar.
Homer Bade - Steel.
Pop Rose - Bass.
Benny Lange - Drums.
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Arnold Parker with The Southernairs.
Sarg Record # 106 - late 1954
Side A - Red Lips, Kiss My Blues Away
Side B - One Way Love.
Recorded mid 1954 at ACA Sound & Film Studios, 5520-22, Washington Ave, Houston, Texas.
Engineer - Bill Holford
Arnold Parker - Vocal
Kenneth Williams - Lead Guitar
A.L. 'Curley' Williams - Rhythm Guitar
Homer Bade - Steel Guitar
Pop Rose - Bass
Benny Lange - Drums
Henry Bennetsen - Fiddle
Arnold Parker went on to record an absolute Rockabilly stormer over at Starday in 1956, but here we find him and The Southernairs laying down some honest country on a late 1954 release.
The A side is a real nice slow lovey dovey slice of pure Texas country, all the elements are here and it does not disappoint. But again, flip it over and the tempo goes up a few notches and you get to hear 'One Way Love' a real cool mid-tempo bopper that chugs away and sounds perfect to my ears!
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| Dave Isbell (1st Left), Willie Nelson (third left) |
Dave Isbell & the Mission City Playboys.
Sarg Record # 108 - 1954
Satisfied Or Sorry / No Longer Afraid.
Sarg Record # 108 - 1954
Satisfied Or Sorry / No Longer Afraid.
Dave Isbell:Vocals and possibly Guitar
Mission City Playboys:
Willie Nelson:Guitar
Johnny Bush:Drums
Other musicians unknown
Recorded at ACA Studios 612 Westheimer Houston, TX. 1954
Mission City Playboys:
Willie Nelson:Guitar
Johnny Bush:Drums
Other musicians unknown
Recorded at ACA Studios 612 Westheimer Houston, TX. 1954
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Larry Nolen & The Bandits .
Sarg Record # 110 - 1954.
I Need You Now / The Bandit.
Sarg Record # 110 - 1954.
I Need You Now / The Bandit.
LARRY NOLEN and the Bandits
Larry Nolen was born in Mineola in Northeast Texas in 1933 and moved to San Antonio as a child. He began his professional music career as a rhythm guitarist in 1946,at the age of 13, when he joined The Mountain Rhythm Band, a family band that featured Boy and Gene who later achieved success as The Jacoby Brothers. Smiley Whitley, leader of one of the most famous western swing bands in Texas, recognized a star on the rise and invited Larry to play with his band, Smiley Whitley and the Texans. They performed most Saturday nights at Bandera’s famous Cabaret Dancehall and also hosted a radio show at San Antonio’s KONO / KMAC radio station five days a week. In 1954, Nolen left the Texans, started his own band Larry Nolen & The Bandits and released « I Need You Now » and « Hillbilly Love Affair » on Sarg Records. Nolen went on to share the stage with Elvis Presley, Porter Wagoner, Spade Cooley, Hank Thompson, Doug Sahm, Marty Robbins, Johnny Paycheck, Roger Miller and George Jones, frequently appearing on The Louisiana Hayride and more than fifty Grand Ole Opry Road Shows. Larry has been inducted into the Rockabilly Hall of Fame for « King of the Ducktail Cats » (Starday 668), the Texas Western Swing Music Hall of Fame with the Texas Tophands, and the Bandera Music Hall of Fame as a Living Legend. A few of his hit records include « I Need You Now« , « Please Talk To My Heart« , « The Bandit« , « Hillbilly Love Affair » and « Ramblin’ Rose » which was recorded by Nat King Cole. Larry currently lives on a ranch near Pipe Creek, Texas with his wife, Dixie. He owns and operates Bandit Records, his own private recording studio on the ranch. Larry continues to perform live at venues and events throughout Texas and has recently recorded his latest CD, « Hangovers Sure Hang On
Larry Nolen was born in Mineola in Northeast Texas in 1933 and moved to San Antonio as a child. He began his professional music career as a rhythm guitarist in 1946,at the age of 13, when he joined The Mountain Rhythm Band, a family band that featured Boy and Gene who later achieved success as The Jacoby Brothers. Smiley Whitley, leader of one of the most famous western swing bands in Texas, recognized a star on the rise and invited Larry to play with his band, Smiley Whitley and the Texans. They performed most Saturday nights at Bandera’s famous Cabaret Dancehall and also hosted a radio show at San Antonio’s KONO / KMAC radio station five days a week. In 1954, Nolen left the Texans, started his own band Larry Nolen & The Bandits and released « I Need You Now » and « Hillbilly Love Affair » on Sarg Records. Nolen went on to share the stage with Elvis Presley, Porter Wagoner, Spade Cooley, Hank Thompson, Doug Sahm, Marty Robbins, Johnny Paycheck, Roger Miller and George Jones, frequently appearing on The Louisiana Hayride and more than fifty Grand Ole Opry Road Shows. Larry has been inducted into the Rockabilly Hall of Fame for « King of the Ducktail Cats » (Starday 668), the Texas Western Swing Music Hall of Fame with the Texas Tophands, and the Bandera Music Hall of Fame as a Living Legend. A few of his hit records include « I Need You Now« , « Please Talk To My Heart« , « The Bandit« , « Hillbilly Love Affair » and « Ramblin’ Rose » which was recorded by Nat King Cole. Larry currently lives on a ranch near Pipe Creek, Texas with his wife, Dixie. He owns and operates Bandit Records, his own private recording studio on the ranch. Larry continues to perform live at venues and events throughout Texas and has recently recorded his latest CD, « Hangovers Sure Hang On
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Neal Merritt - Sarg Record # 111 - 1955.
A - There's An Hour To Every Minute.
B - Sweeping Up The Ashes.
Neal may have never had a big hit record and probably more remembered around those parts as a radio DJ and presenter he certainly did cut some great tunes at Sarg and Starday and this one is his best IMO on Sarg.
Rip roaring up-tempo country at it's best, the band are having a ball, strong bass and drums lets you know this is gonna rock and it does BIG TIME !!!!!
A - There's An Hour To Every Minute.
B - Sweeping Up The Ashes.
Neal may have never had a big hit record and probably more remembered around those parts as a radio DJ and presenter he certainly did cut some great tunes at Sarg and Starday and this one is his best IMO on Sarg.
Rip roaring up-tempo country at it's best, the band are having a ball, strong bass and drums lets you know this is gonna rock and it does BIG TIME !!!!!
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Larry Nolen with The Bandits .
Sarg Record # 115 - 1954.
Hillbilly Love Affair / No Wedding Bells For Me.
Larry Nolen was born in Mineola in Northeast Texas in 1933 and moved to San Antonio as a child. In 1954 he started his own band Larry Nolen & The Bandits and released “I Need You Now” and “Hillbilly Love Affair” on Sarg Records. Larry has been inducted into the Rockabilly Hall of Fame for “King of the Ducktail Cats”.
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Herby Shozel & the Longhorn Playboys .
Sarg Record # 116 - 1955
You're Gonna Pay / I Can't Believe It's True.
Sarg Record # 116 - 1955
You're Gonna Pay / I Can't Believe It's True.
Charles Fitch saw Herby and The Longhorn Playboys playing at the Barn, a local club and offered them a contract. They would record at ACA in Houston in March 1954. « I suppose » was a local hit. They had a second session backing Neal Merritt, then in August cut four original songs, the best being « You’re Gonna Pay », released a year later. Neither of them sold enough though, and after misgivings with Fitch, they parted. The band never recorded again.
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Eddy Dugosh and the Ah-Ah Playboys
Sarg Records # 121 - 1955
Side A - Bad Luck Come My Way
Side B - There Is No Need.
Eddy and the Ah-Ah Playboys rip right through this A side, strong fiddle and piano keeps this ditty moving right along. Eddy has a very nasal tone to his voice but it works and he sings about having a real fine time someday. The same goes for the flip, really strong playing and Eddy's voice just makes it all jangle along just fine & dandy!
Recorded summer 1955 - Probably at KMAC Studios, 222 1/2 W. Commerce Street, San Antonio, Texas.
Eddy Dugosh and the Ah-Ah Playboys.
Eddy Dugosh - Vocals/ Rhythm Guitar
Leonard Dugosh - Bass
James Atwood or Jimmy Reeves - Fiddle
Alfred Grams - Piano
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The Vaughn Family - Sarg # 130 - 1956
Side A - Samson
Side B - I've Got Peace In My Heart.
Quite simply not the best release on Sarg and sung by Bobbie Vaughn (aged 13) & Dale Vaughn (aged 11). Samson is so bad that it makes your tooth fillings itch (which takes some doing), they both screech their way through this really bad country song and it is relentless in its ambition to murder your ear drums for all eternity. This is so bad it's bad, real bad.
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Peck Touchton with The Sunset Wranglers
Sarg Record # 132 - April 1956
Side A - Then I Found You
Side B - You've Changed Your Tune
Peck Touchton once again produces two fantastic sides on this early 1956 release. The A side is a wonderful tune and if the B side had been a slow country weepie it would be seen as masterpiece but the flip, as chance would have it is even better, it's so good and it knows it, 'You've Changed Your Tune' is classy and bops along at a right pace with The Sunset Wranglers showing pure class as they let Peck sing is heart out, it's so good it's brilliant.
Recorded 7th March 1956 - ACA Sound Studio, Houston, Texas.
Peck Touchton - Rhythm Guitar/Vocals
Herman McCoy - Lead Guitar
Hoyt Skidmore - Steel Guitar
Carlton Wilcox - Bass
Jo Anne Sky Eagle - Drums
Doug Myers - Fiddle
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